Q & A WITH SAM BOONE
Sam Boone grew up in churches running sound as a kid before giving formal education a try at MTSU. But after a semester of college an internship led to a job offer, and things moved fast from there.
Now based in Nashville, typically touring as an audio systems-engineer (SE), or monitor tech, she’s spent the past few years working with artists such as Volbeat, Ghost, Miguel, and Lee Brice.
Favorite concert or live show you've attended as a fan (not for work)?
My favorite show I've attended was a writers' round where Lee Brice, Randy Houser, and Mitchell Tenpenny played acoustic. Just being able to appreciate the simplicity of music and the talent of storytellers and musicians reminds me of what I love about doing shows. It's that no matter how flashy or big or loud a show is, we're all there for the experience of the songs and the story that brought us all there.
Is there anything you try to do every off day?
Every day off, I try to run or go to the gym. Staying active is an excellent way to feel productive and care for myself mentally and physically. If it's nice out or we're in a city with public transportation or a lot of walkways, I try to run outside and get some sunshine.
One to three must have work-related tool(s)? (Computer, gear, tool, phone app, etc.)?
My three must-have tools for work are;
EMX7150 measurement mics
MiEMi. The MiEMi is a small coupler that goes on the end of your measurement microphone and allows you to measure the response of IEMs. I have been able to troubleshoot more issues with my MiEMi and SMAART than anything else.
Are there any standard industry practices that you'd like to see change?
The industry practice of having as few techs as possible on a show is fading, and I am very thankful for that. On larger productions, you are starting to see more and more specialized techs and engineers, and I think that is a significant trend I am excited to continue. I think having specialized personnel with a team that supports each other is one of the best ways to set yourself up for success on a tour because everyone knows their role and is often happy to have others do theirs and help each other when needed. I think along with this, there is less and less gatekeeping going on as this industry grows, and I think that one of the best things for this industry is the free flow of information since there are so many aspects of this job that can only be learned by experience and mentorship.
Since you began working in this industry, are there any concepts or practices you've implemented that have positively impacted your work (reduced stress, saved time, etc.)?
Since I began working in the music industry, doing everything I could to set myself up for success before a tour has been beneficial. This looks like building as many of my files as possible in advance. Creating well-organized spreadsheets and file management systems has been great at helping me not worry about missing details for upcoming shows.
Finally, having a network of mentors, friends, and colleagues I can go to for advice and second opinions or bounce ideas off of has been more valuable than I can describe. Having a good network and an even better support system is worth its weight in gold because whether or not you have a good or bad show, you've got people who not only can have your back but can help you get back up when you get knocked down again. This industry requires incredible grit, so getting told no or passed over for a gig is common. It's a matter of when, and those days are why your supportive relationships are so meaningful.
Where do you see the industry going in the next 5-8 years?
With the rise of social media, we're going to see more and more tours produced as content for artists, and with that shift, we're going to see more emphasis put on how shows look and sound not only through phones but through social media. All of the new technology being developed and used will give techs and engineers more flexibility and control over the sound and visuals of shows.
How much sleep do you actually get? And how do you manage sleep deprivation?
The amount of sleep I get widely varies depending on what show I'm working on and who I'm working with. On tours where we do five shows a week with several shows in a row, I get 4 to 6 hours of sleep a night, but I try to balance this out by relaxing on off days and sleeping on long drives and flights whenever possible. I also do as much work in advance as possible. Making sure I eat at least two meals a day or grabbing a snack if catering is closed or between meals is helpful, too. Drinking enough water and caring for yourself can help deal with minimal sleep.
What improves your day at a show?
Hearing a crowd of people sing the music back to the artist during a show always reminds me of why I chose this career, and it will forever be what makes my day. Additionally, good catering, getting time to walk outside the venue for a few minutes, and the occasional nap always improve my day.
Our industry isn't as glamorous as often perceived. What motivates you to work such long hours and be away from home for extended periods?
The excitement of travel, the camaraderie of being a part of something so much bigger than myself, and being a part of a team that is proud of our work helps. Sitting back and appreciating how much an event or show brings people together is a beautiful experience, and advocating for everyone in the room is a part of my job I never want to take for granted.
What advice would you give to someone just starting their career in the live production industry (perhaps something you wish someone would have told you when you were getting started)?
I wish I knew when I first started that communication is one of the most valuable things you can learn to do well. Communicating and setting expectations in advance help avoid problems and, more often than not, solve any problems that arise quickly. I was told by a department head when I first started working in audio that "it's okay to make mistakes, just don't make the same mistake twice," which was some of the best advice I have ever received.
What's the most essential thing in your suitcase?
I have a travel-sized Theragun that I rarely leave home without. It's a game changer after long days when your body is sore and you need to relax. It's also a great tool to have when you need to relax if you're restless.